Similar setting, similar eeriness, similar sense of impending doom invading a homely environment. Each game can be completed in a single sitting.ĭespite being part of the To The Moon universe, the first hour of Impostor Factory reminded me of an earlier Gao game: the short, free, utterly incomprehensible horror The Mirror Lied. I still haven't played the sequel, Finding Paradise, and you don't need to play the prequels to piece together the story of Impostor Factory, but you might as well. In To The Moon, for example, two scientists explored the memories of an elderly man to - guess what - help him fulfill his dream of going to the Moon.
Think Eternal Sunshine Of The Spotless Mind, although here the technology developed by the fictional Sigmund Corp.
Impostor factory platforms series#
Impostor Factory is the third entry in the To The Moon saga, a series by developer Kan Gao about doctors wandering through their patients' memories to give the story of their life a better ending. The mystery is understanding why they keep happening. The real mystery is not discovering who committed the murders. And then they happen again, and again, and again.
Impostor factory platforms full#
And yet you stay because you're curious about the machine, the weird vision you had in the bathroom, and that other guest you keep bumping into - the lady in a red dress that looks familiar and sad and full of secrets. The other guests are as rich and quirky as the villa's owners, and you, an everyday man named Quincy, are starting to feel a bit awkward about the whole situation. You don't know much about the hosts, apart from the fact that they're old, eccentric, and eager to unveil the mysterious machine looming in the main hall.
You are the first to arrive, shoulders heavy with rain. The one in Impostor Factory is a secluded manor deep in the woods, a crumbling temple to cleanliness with self-cleaning floors and a literal golden toilet in the bathroom. Impostor Factory's emotional story might have a slightly tired formula, but it feels fresh and cinematic, and cheerfully posits that a fake, imaginary life can be as fulfilling as a real one.Įvery good murder mystery needs a spooky house for a stage.
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